Posts Tagged ‘online video production’

Content is King Again, Online Video Content

March 30th, 2011

I’ve heard the question a thousand times over the past few years when speaking to businesses about their online video strategy, “Where do I get premium, high quality content for my audience?” This is the critical piece of the puzzle that will help redefine online video in the coming years. There are businesses that offer this kind of content, like AOL and Yahoo! which offer online news as well as the traditional TV bureaus. However, these options can be low quality, limiting, and expensive.

Enter the recently launched NetGreen News, which focuses on delivering daily headline news covering the environment, the emergence of the clean industrial revolution, healthy eating, and Lifestyles Of Health And Sustainability (LOHAS). The idea is to provide premium 1080p HD video broadcast news content to online news publishers at an affordable cost (NetGreen News charges by finished delivered minute, with most segments lasting 90 seconds). The company is focusing on something I personally feel is critical to online video: content. Not just any content, but premium, high quality, relevant content. The stories its journalists cover come from both existing print headlines that would benefit from a video version and those that its reporters find on their own. The team has recently expanded their platform to cover all news beats with the recent launch of RealNewsCo. RNC is set up to bring any print headline life with quick turn around and, like NGN, in HD that will play back on any device from mobile to TV.

I took a trip to Eugene, OR to meet with the people behind NetGreen News and RealNewsCo to learn more about their operation. They use a centralized newsroom platform and digital journalists with professional hard drive cameras in the field. This gives the company the ability to deliver news coverage that costs 90% less than most multi-national news broadcasters.

According to the company’s founder and CEO Stanley Fields, “NetGreen News currently produces over 500 broadcast news headlines per-month in stunning HD quality covering the global green and environmental beats. Since September 2010 we have originated over 28 hours of newscasts in 90 second segments (3 headlines) optimized to (work on) any smart phone or mobile device and continue to produce high quality broadcast news everyday.”

The NetGreen News Eugene, OR facility has a very large fiber pipe that ties directly into the backbone of the Internet so they can easily move large volumes of content around the world at a cost that is substantially less than any legacy broadcaster.

It’s an interesting approach to an industry-based challenge. I believe that we’re at a turning point in Online Video. We’ve proven over the past several years that it’s incredibly easy to get video online and business today have over 85 options (OVPs) to choose from to help them do just that. What Online Video has really done is created a need for high-quality, premium content and as a result we’ll start to see some real revenue derived from this type of content.

Don’t get me wrong; I’m a big believer in curated content (see Magnify.net). There’s truly an abundance of great user generated material out there, but there’s a difference between UGC and professionally produced content. Both are critically important to helping businesses realize real value from an online video strategy by increasing user base and stickiness, extending brand, promoting and selling products, and increasing revenues. As we start to see more companies that offer high quality content at more affordable prices, it will become clearer that you no longer have to be CNN or ESPN to garner $50+ CPMs from online video advertising.

Disclosure: I am a recent advisory board member of NetGreen News.

Lighting for Online Videos: Try not to burn down the house – Shooting Online Video Part 7

July 19th, 2010

There’s a reason that Sandra Bullock said she always befriends the lighting crew when she starts a movie in her Oscar acceptance speech and it’s because good lighting makes all the difference. Bad lighting can completely change the mood of the video you’re shooting. Lighting is really an art form. The good news is that if you have any kind of photography background lighting might come a bit easier to you. If not, you’re going to have to work at it.  Before you can become Sandra Bullock’s BFF on the set, there are a few essentials you need to know about lighting.

Lights can use a lot of power and depending on where you are shooting that can be a problem. When I first got into lighting I went to a video/photo store to get started. I found a sales assistant to help me and started asking questions.

“I’m shooting video and I need to get some lights. I’m not sure what kind.”

He asked, “Where are you shooting?”

My response, “In a house.”

He took me right by all the fancy lights you see on movie sets and straight to light bulbs in a box. I thought to myself, ‘this is soooo not going to work.’ He pulled a few lights (Westcott #0050 50 watt Daylight Balanced Fluorescent Lamps, and Eiko Photo Pro 30 Watt lamps) off the shelf for me and told me they should work fine.

Looking longingly at the fancy lights, I asked, “Really? Why not those lights over there. They seem better.”

His response, “Do you know anything about the wiring where you’re shooting?”

I shook my head ‘no.’ Come on’ I’m not an electrician.

He responded, “Those can fry your electrical system and burn down the house.”

That sounds bad. So I took the lights he recommended and asked about light stands.

He got me some stands and said something sort of surprising, “Next, you should go to Home Depot or a hardware store and get those silver clamp casings. It won’t cost a lot and it will work fine with these lights.”

I thought that sounds a little ghetto, but I was new to lighting and it was a minimal investment to get started. So, I took them, went to the hardware store got what he said, and started messing with the lights when I got home. Actually, turns out not so bad. Yet, still I wanted those crazy big lights. So I learned more and more about lights and now I know why the guy set me up with the ones I have.

First, those big fancy lights can get hot: I, mean, really hot. You should never touch them with your hands. You should use gloves when handling them. One reason is that they’re freaking hot. The next reason is that the oil from your fingers can actually ruin the bulbs. Second, the electricity in the house isn’t configured to support those huge lights and thus can overload a circuit. The other problem with the heat emitted is that the person those lights are focused on is going to start sweating – even start to think they’re getting a tan. I know, I’ve been under those lights a lot. They’re firecracker hot.

In short, most homes can support at least 15 amps. But you don’t see amps on light bulb boxes. Instead you see Watts and Volts. So to find out if you’re going to overload a circuit with your lights, try this equation: Amps = Watts/Volts. In my scenario I have a light that’s 50 Watts and 120 Volts. 50/120 = 0.41 – That’s well in the range of what a house will support. So circuits won’t blow, house won’t burn down. All is good in the world.

Before getting lights find out what your electrical system can support and then you’ll know what to buy. As for those tin covers, apparently they aren’t so ghetto after all. Just about every one I’ve met who does lighting has their own portable lighting kit and what do they have for the light bulb covers? Those tin covers. Why else are they so good to have? Well, they have clips on them so you can clip them to just about anything and you’ll be surprised how much this comes in handy.

Read all previous parts to this ongoing series, Shooting Online Video:

Part 6 – Camera Settings

Part 5 – Backgrounds

Part 4 – Lighting And Content

Part 3 – Picking A Camera

Part 2 – SD or HD

Part 1 – Just Do It!

Backgrounds – Shooting Online Video Part 5

June 2nd, 2010

Background shots in a video are important and a crucial feature that can be overlooked when starting to shoot video. Whether you’re shooting in a studio, a conference room, or at an off-site location consider what people will be behind the subject. It seems kind of silly to think about when really what you’re thinking about are the shots you need. Yet, in reality a background is what helps highlight the subject and can easily add interest to a video. That said, don’t feel like you need to spend a ton of time on picking a background – especially when you’re shooting on the road. Although, if you’re going to be creating a studio then spend a little bit of time on it and feel free to play around with different backgrounds. Here are a few things to consider when creating a background for online video:

  1. If there’s something in the surroundings that talks to what the video is going to be about, try to incorporate that. For example, what if you’re interviewing an award-winning director. Try to get some of the rewards in the background placed subtly on bookshelves or on a fireplace mantle that would still be in the shot. This adds a bit of interest to the video and reminds people of the credentials of the person being interviewed without you having to dedicate a lot of video time to it.
  2. Try to stay away from white. First, white is not exciting to look at. Think about it. Put something in front of a white background and it’s just not that interesting. Of course, if you’re doing a product photo you definitely want to do that, but this is not a product picture. This is a video. It should have interest. If that’s not enough, lighting white backgrounds isn’t the easiest thing in the world and you could be dealing with a lot of shadows looming in the background. Don’t get me wrong shadows aren’t necessarily a bad thing, but they’re definitely something you want to control in a shot and not the other way around.
  3. Creating a studio to shoot your online videos? Definitely spend the time experimenting with backgrounds. Consider what you want to see in every video since this is a good way to create consistency. Is it a company name? Is it worth getting a banner made or will that be something you add during editing? What is the mood/feeling you’re trying to convey in your video?  Think about how a background can contribute to that.
  4. Green screens. Yay or Nay? By this point you might have heard of green screens or even taken the tour at Universal Studios as a child that shows you how ET was able to fly through the air. Green screens essentially let you shoot something and fill in the background later. That’s cool, right? Could serve all your background problems, right? Not so fast. You also need a lot of space to use them effectively. For example, you’ll need to make sure you have at least 6 feet between the subject being shot and the green screen behind them. Not everyone has that much space available. Besides that this is video for online, not some Hollywood blockbuster.

Here’s the magic sauce about backgrounds: They can change. Don’t be afraid to try out a few different options. Do your best not to make them too busy since that can distract from the “star” of your video, but don’t be afraid to move things around – especially if you’re shooting on location.

Read all previous parts to this ongoing series, Shooting Online Video:

Part 4 – Lighting And Content

Part 3 – Picking A Camera

Part 2 – SD or HD

Part 1 – Just Do It!

SD or HD: Shooting Online Video Part 2

May 12th, 2010

One of the toughest decisions you need to make about shooting video for online distribution is picking a format in which to shoot the video. My answer to this burning question: just get started with what you have access to. Sure, the online video platform providers (OVPs) will support both formats, but in all honesty at this point shooting in Standard Definition (SD) is just fine and probably the lowest cost to entry. This is because SD video cameras are much cheaper to purchase, the files are smaller than High Definition (HD) files so you don’t need a ton of extra storage space, and they can be seen on just about any device (computer, TV, cell phone, iPad, etc).

You also should think about where people will be watching your video. If it’s online, the quality of SD is perfectly acceptable. If it’s on a mobile device, SD quality might actually be preferred since it will take less bandwidth to stream those videos. Plus, until the Sprint EVO comes out, cell phones don’t really support HD anyway. That said, if you’re planning for people to watch your videos streamed on an HDTV initially, then you probably want to get started with HD. Chances are that’s not the case. However, as you get better at shooting video, going HD just may be the next step on your online video path. Like I said, the online video providers all support it.  Even YouTube has rolled out HD support, so it’s clearly not going away. If you do decide to go HD here are a few things to keep in mind:

  1. HD files are big; a four-minute video can easily take up 1GB of storage space. You’ll need a place to store those files and if you plan on storing them on a computer, chances are you’ll quickly run through hard drive space. You’ll likely have raw video files and a completed video for uploading online both stored on a computer’s hard drive. An IT person will tell you that’s not the best idea you’ve ever had.  Plus, that’s easily more than 1GB of space for producing probably one video. You don’t want to run your computer with a hard drive almost filled to capacity. It’s just not a good idea, plus the computer will run slow. If you’re anything like me, that’s just not acceptable.
  2. An external hard drive is a must-have. There are a few reasons you’ll want an external hard drive. Did I mention that HD files are big? So, you’ll need a place to store them off of your computer’s hard drive. An external hard drive is a great place to save un-edited video and final video. Also, if you’re going to be using a program like Final Cut to edit the videos, this is the way to go, plus working with the video won’t tax your computer too much. The good news is that an external hard drive is not very expensive. You can get a quality external hard drive for under $200.
  3. If you’re using an online video provider to store, host, and stream your video files you may need to pay more for that service since as I’ve mentioned HD video files are large. This means it takes up more space on an OVP’s server and someone is going to have to pay for that. Also, if you’re thinking of trying a service for free, you’ll probably have a data cap. So if you upload HD videos, you’ll be uploading fewer of them and that might not give you enough time to real test an OVP’s service.

In short, HD video is going to cost more on multiple levels. SD is simply the more affordable way to get started shooting video to post online. Besides if you’re new to the world of online video, SD is much more forgiving of any mistakes you may make when shooting. Oh, and did I mention HD video files are big!

Read all previous parts to this ongoing series, Shooting Online Video:

Part 1 – Just Do It!

Online Video: Just Do It! – Shooting Video Part 1

May 5th, 2010

There’s a reason that Nike slogan has resonated with people: There’s something to be said for diving in and seeing where the experience takes you. For me, learning about online video and how to create content has been an experience worth doing. Sure, it’s not the easiest or cheapest venture, but it’s fulfilling and eventually you have unique content that can be shared and hopefully, monetized. In my book, that’s a win-win situation. So, how do you get started?

The first step is deciding to do it. You can get out your spreadsheets and try to figure out what it will cost to create online video content yourself, but it’s not really going to be easy to quantify. On the other hand, you can easily quantify how much it’s going to cost if you outsource the entire project and that number, let me tell you, depending on what you want to accomplish might not be pretty. Lighting, production, editing and distribution costs have the potential to add up quickly. Let’s not forget the hours you put in doing research to find sources that can help with your video project. Of course, there are services that can help with that such as TurnHere and for your first video it’s not a bad idea to try such a service to see firsthand what goes into making a video for online distribution. The good news is the end product will look great. If you only want to do a few videos a year definitely take that route. It’s easier, faster, and less painful. However, if you want to create online video regularly consider doing it yourself. You’ll definitely save money in the long run and even learn a few things along the way. Plus, you’ll have everything you need at your fingertips in a moments notice, so you’ll never miss an opportunity to showcase something using video.

How do you know if you want to create a constant stream of video to distribute online? Well, think about what you hope to achieve? Do you want to cultivate an audience or is there just one specific thing (such as a product demo or live stream of a speaking event) a couple times a year? Do you have in-house talent that can help create the content regularly or do you have to outsource that, too? Would it benefit you more to have fewer videos that are finally polished or more videos that only improve in time? Only you can answer those questions and once you do you’ll easily be able to tell which is the right solution for you: outsource or do-it-yourself.

Since I do it myself, I’ll be sharing all the tips and tricks I’ve learned along the way… as well as a few frustrations. Hey, without some hiccups along the way, how do you really learn anything? I’d like to learn from you, too. Please post tips, tricks, and even questions. I’m happy to entertain them all.